jordanrosenfeld

Archive for the ‘General’ Category

Intro or Extro?

In General, Musings on October 25, 2009 at 10:40 pm

cave photoI know that folks prefer easy categories–publishers sure do. Agents are partial to them, too. Of course what I like to write often defies easy categorizing, a flaw I have not yet been able to reconcile. When it comes time to pitch my work, I shove it into the most similar category I can find, like one might stuff a large foot into a gorgeous but too tight pairof shoes for an occasion.  This may be a result of my personality. Most people who know me would probably call me an extrovert. I’m good at socializing, I crave it, and I never go very long without some of it. But that would also overlook the introverted side of my nature. I am, I have decided, an introverted extrovert.

Say what?

Well, for example, I’ve just returned from a weekend of socializing. First at the wonderful Redwood Writer’s Conference (Kudos, y’all, for a job well done, especially for a 1st year!), then visiting half a day with friends, then my mother’s birthday party.

And now, home again for the first time since Friday, I don’t  want to visit my social network, forums or Twitter, where interaction is involved. I need to replenish. I’m socialized out. And this is also the place from which I write.

The extroversion is the “collection” side of my nature–I go out into the world and take in stimulus and impressions, stories and characters, but then I must hole up, sometimes even withdraw, to this inner cave or I will have nothing at all to write, and no energy with which to write it.

Yet many writers are professed introverts through and through–they prefer the silence and solace of their own company How about you? Does socializing add to, or take away from your writing? Can you be easily defined as an introvert or extrovert, are are you a shade of gray?

Hie Thee to a Network of Social Origin (That does what you love)!

In Craft, General on October 22, 2009 at 10:14 pm

I tire of labels pretty quickly, and I already find myself bored when I hear the phrase “social networking.” It’s not the actual thing I take issue with–I quite enjoy my networks, social and professional–but I’ve always had a little bit of the nonconformist’s tendency to eschew something I hear over and over.

I hope this makes me a good cliche killer in my writing, too.

Anyway, my point–I swear I have one–what new thing can be said about social networking that other sites like www.Mashable.com aren’t saying already?

Well whether or not what I have to say on the subject is fresh or new, I’ve responded to a striking number of emails and phone calls lately from writers, some completely starting out for the first time, and others who are newly on the path, asking for direction and guidance. And I’m finding myself giving the same advice over and over:

Hie Thee to a Network of Social Origin (That does what you love)!

When I first started to get serious about writing, before Twitter and Facebook were megabytes in their founders’ hearts, I joined the Zoetrope Writer’s Studio–where writers critique each other’s work for free and join groups to discuss the craft. The writers there are 100% responsible for teaching me how to write a bang-up query letter, which ultimately scored me an agent (two, actually). They are responsible for helping me polish every short story I published up until about 2003. Several of the friends I made there are STILL my go-to critique buddies when I have finished a draft of something. It was the single most profound virtual experience I have had to date…I credit much of my writing success, both fiction and non-fiction, to the people who supported me there.

So first, of course, all non-luddites should use Facebook and Twitter and Ning and Linkedin and the bazillion social networking sites I’m totally clueless about. But it’s also really great to find networking sites that specialize in what you love to do, a gathering of the specific geeks and freaks of your trade/hobby/craft, people of your ilk, who will support you to do what you love.

Class is in Session

In Classes, Craft, General on August 5, 2009 at 5:06 pm

The first week of Fiction’s Magic Ingredient is underway. I don’t know yet how my students are feeling, but I’m enjoying reading their work, and eavesdropping on their discussion via the class message board. I always get energized by talk of craft; it’s why I really should be a perpetual student. I can never get enough learning. Even in the act of teaching I learn. Maybe more so, in fact.

Here are some discussion topic questions we’ve been mulling over:

What are your stumbling blocks as a writer?

What skills do you covet (that you don’t feel you possess?)

Session II, which is full, begins August 30th. I’m contemplating a session III since I’ve had so much interest. If you think you’re interested, email me at:

jordansmuse(at)gmail(dot)com.

Your Life Story

In General on July 24, 2009 at 11:24 pm

I’m judging a contest for a magazine (I don’t know if I’m allowed to say which one yet, so I’ll wait until the judging is over). The category is self-published books in the subject of “Life Stories” which seems fairly broad.

I can say honestly that while not all life stories make for compelling reading, there is some bit of history in each one that does. I marvel over the way a person’s ancestor, a woman in the 20’s, for instance bore baby after baby, and lost some along the way, with little other hobby or pasttime allowed to her while her man worked and traveled. What kept that woman going, kept her from going crazy?

Wild west stories are fabulous. I love outlaws and scallywags–true capitalist spirit at its most primal! Women in the American west were also a hardier, fouler-mouthed bunch. I’m always won over by a woman who can pull off a dress and a four letter word at the same time.

There’s lots of war in life stories, and while I’m not a big war buff, I’m nonetheless impressed and awed by the commitement of young men, in World War I, in particular, who would rather have been fighting than comfortable with their families at home.

This is all to say that while not every life story can make it as a bestseller, or even as a great read, I do think there’s merit of a personal kind, of a preservationist kind, in writing down the stories of our ancestry, and our own as well, to preserve history that might otherwise be lost.

Why an Online Class is Good for You

In General on July 8, 2009 at 6:52 pm

We all learn differently. Some of you may need the crack-slap harshness of a teacher’s burning gaze on your actual skull to motivate you to learn. But many people I know prefer the silence and stillness of working at their own desk without those nasty halogen lights or the sound of fellow students snapping their gum.

Online classes are also good for anyone who:

  • Wants to work at their own pace
  • Is shy in groups or prefers smaller settings
  • Likes to control their own learning environment
  • Wants a great educational experience for an affordable price

If you fall into this category, then I just happen to have some classes for you.

Fiction’s Magic Ingredient, Sessions  II.   Session II is already half full! Register by July 20th to get these classes at $99–that’s $50 off the regular price!

Learn to Layer. The Art of Scene Types.
October 5 through 30th. 4 weeks.

It’s one thing to master the scene, but another to learn to layer them for powerful effect. Avoid “monochromatic” fiction that lacks variety and texture. In this class you’ll learn about the ingredients of, and how to wield, different scene types, from slow, contemplative scenes, to heavy-hitting dramatic scenes and dozens of others in between.

You’ll never write the same style of fiction again!

Register here: Use the drop-down menu to select the class of your choice.

Adjusting to the Noise

In General on July 2, 2009 at 9:16 pm

I will admit that I felt overwhelmed by Twitter up until, oh, yesterday, I’d say. I don’t know if it’s that, as a mother, I’m already juggling six streams of action at any given time, or if  the human brain born before say, 1985, takes extra time to become wired to follow 500 lines of conversation at once. Either way, it gave me a headache every time I logged on.

Then I downloaded Tweetdeck and just start to follow the stream of voices the way I might listen to conversations in a cafe–some of them stick and others drift right past me.

And now? Now I have to admit I’m hooked. It took me a similarly longish amount of time to get pro at Facebook. But I’m not ready for whatever micro technology is to follow Twitter. One word  posts on ring-sized devices? Why does technology seem to condense down to the more and more micro?

I feel for the elderly with their swollen knuckles and bad eyes. Today’s technology is ageist by its very design.

And now my tiny boy is demanding I take my attention off blogs and Twitter and put it back where it belongs–in the human realm.

Want to Feel (and Write) Free?

In General on June 27, 2009 at 10:43 pm

Would you like to be inspired? Pushed to be a better writer? Motivated to free yourself from attitudes about publishing that hold you back?

For free?

It’s not too late to SUBSCRIBE (for free) to the Write Free e-newsletter. The June, 2009 issue is going out late–Monday. This month features Editor Unleashed’s Maria Schneider. Getting (Your Writing) Back in Gear. Forming Writing Partnerships..and more!

Can Twitter Go Literary?

In General on June 27, 2009 at 2:15 am

An item in my Funds for Writers newsletter today suggested that Twitter might actually be a forum to promote quality writing.  I like to think that anything “published” on Twitter would be condensed down to a perfect essence, therefore encouraging quality. We’ll see, though.

The following forums are paying for writing on Twitter:

Nanoism (@nanoism)
http://nanoism.net/submit : $1.50 for unpublished literary
fiction; $1 for reprints; $5 for serials

Thaumatrope (@thaumatrope)
http://thaumatrope.greententacles.com/submissions : $1.20
per science fiction/fantasy/horror entry and currently needs
serials
Tweet the Meat (@tweetthemeat)
http://tweetthemeat.blogspot.com/2009/04/submission-guidelines.html 
Horror/weird/speculative, pays $1 per tweet

A Fresh Coat of Paint

In General on June 21, 2009 at 4:16 am

Many a time I’ve stared at the ungainly draft of a novel wishing I could just slap on a can of “instafix” and be done. Since that’s not how writing works (and why didn’t I choose to become a painter rather than a writer?), sometimes one needs to reach out beyond the written word to the paint store for inspiration.

Today I painted my office. I’ve been living with institutional gray and wondering why I didn’t feel inspired sitting down at my desk!J office before

 

 

 

My husband and I knuckled down for the weekend and painted, while our 1 year old boy was surprisingly patient, playing by himself for many hours, as if he understood that his parents would be much happier when this job was done.

The result is spectacular. The color alternates between peachy and yellowish tones, and is warm and inviting no matter what time of day. You can’t be in a bad mood in this room anymore–if you are, you’ve really got problems! And what’s better, it’s an instant improvement, unlike the muddy world of my novel.

I am not lying when I say I spent the rest of the day in here pretty much with ideas pinging around my brain like the hummingbirds in the tree outside my window. I scribbled a bunch of new ideas on post-it notes for articles, the novel and future classes.  Painting refreshed my creativity!

So I want to recommend it to anyone who has the ability to paint their office. You might be amazed what it can do for your creativity!Office new paint

 office2

Turn Father’s Day to Freelance Advantage

In General on June 17, 2009 at 5:20 pm

Even though I know that holidays like Mother’s and Father’s Day are hallmark creations inspired to sell more goods and services, I like them. I like rituals, opportunities to give, and themes that help direct and organize me.

In fact, these “arbitrary” holidays are great for freelance ideas, too. If you can’t think of a timely article, you can always work to craft ideas  for one of the holidays on the horizon. This gives you time, too, and you can bank on there always being a tie-in of some kind.

Of course you need to think in terms of lead-time. The average publication needs anywhere from 3-6 months, but if you start digging around for next year now, you might have an armload of ideas ready to pitch.

I like to think in terms of human interest stories as often as possible–cool people doing cool things that relate to the holiday. But you can also go for gift guides or instructional type pieces; “how to cope” stories; “where to eat”: and “fun things to do.”

Make the holidays work for you! (And this means all of them: 4th of July, Memorial Day, Secretary’s Day and so on).

Confessions of a Plot Junkie

In General on June 14, 2009 at 6:00 pm

From my essay “Confessions of a Plot Junkie” in the July/August 2009 issue of Writer’s Digest magazine. That and your “publishing survival guide” in this chock full issue:

“Perhaps plot scares writers because it demands precision and care and some really hard work. And as a writer, I know there is nothing more exhilarating than the gloriously messy process of spilling out the first rough beauty of my muse.

“As a reader, however, I have similar expectations for the journey of a book as I do for when I travel. I want someone to be at the desk of the hotel to check me in (the narrator), and some sort of guide to places where I can find food, sights and entertainment. I want to know where I am and where I’m going and be assured that everything’s going to work out in the end because someone thought about all the details. In fiction, plot is the map that helps us wind in and out of alleys but eventually leads us back to lighted streets.”

If I Were the Graduation Speaker

In General on June 13, 2009 at 8:52 pm

Yesterday I saw my youngest sibling, my 18 year old sister Amanda, graduate from high school. The same high school I graduated from 17 years ago.

I will admit that rather than finding all those forward-looking sentiments about the future and destiny endearing, I can’t help but feel a little cynical. It’s not that “following your heart” and “seizing the moment” are bad pieces of advice. They’re important and I sure as heck did my share of both. But I think the most honest lesson of high school graduation is really: you’re free now to finally claim all your mistakes as your own, and that, my dear, dewy-eyed friends, takes a long time and isn’t always a lot of fun. No more blaming the folks (well, you can in therapy), your siblings, the limitations placed upon you by school and so on. You may not be old enough to drink but you’re old enough to face your demons.

So I hope that all those kids will find an outlet like writing. Whatever writing is for them. White water rafting or visual arts, or being a mime. Because that (and some good friends) is the only thing that makes growing up easier.

Learn Fiction’s Magic Ingredient–Date Moved

In General on June 6, 2009 at 12:03 am

Learn Fiction’s Magic Ingredient. Online Class with Jordan E. Rosenfeld.

In this self-paced online class Jordan E. Rosenfeld, author of Make a Scene and Write Free: Attracting the Creative Life will teach the “magic” ingredient to creating powerful, page-turning fiction. You’ll take your writing to a whole new level. Begins August 3rd, 2009. Four weeks. In this class you’ll learn how to: make your writing active and alive. Create a powerful emotional punch. Design an easy to follow “map” for your plot and much more. Each week you’ll write new material and receive feedback.

Register by July 15th for the incredibly discounted rate of $99. After July 15th, the price goes up to $149.  Space is limited. Participants will also receive a 50% discount on copies of Make a Scene and Write Free purchased through the author. jordansmuse(at) gmail (dot)com.

Hellride to Home-ownership

In General on June 5, 2009 at 11:13 pm

Assuming I have any readership left, I’m sorry, folks, for disappearing. In the past two months my husband and I have been on what I am affectionately calling the “hellride to homeownership.” It’s a story I’m working on how to express, but woo-wee, let me tell you it was not a straight path. Labor might have been easier, in fact.

And in that time, though I’ve managed to continue working, that’s about all. Blogging, fiction writing, personal time-all that has one out the window. So I hope to have more for you here soon!

Hardcover Make a Scenes Dirt Cheap

In General on May 13, 2009 at 4:09 pm

J.Rosenfeld_makescene_coverI have never been good at taking compliments. Fortunately in the world of writing there’s so much rejection that the compliments are few and far between. I take those when they come because they’re precious–they’re drops of water in a dry wasteland. Since Make a Scene was first published in November of 2007, I have received some of the kindest words from writers who have read it. From newbies to established writers, I’ve gotten some really cool thanks for compiling the information on scenes in a way that brings it home. It’s been so gratifying (and a relief, too) that those words I scribbled furiously at my lonely desk managed to make sense and help writers. I am humbled beyond belief.

Now, Make a Scene has just gone into its second printing!

So if you still haven’t gotten a copy, I have a deal for you, as a kind of thank you. You can purchase the hardcover edition of Make a Scene–a beautifully designed book with a jacket, which makes as nice a gift as it does an essential part of your writing library–for just $9.99 plus $1.00 shipping. The regular cover price is $19.99! Such a deal.

To order your copy, please email me: jordansmuse(at)gmail(dot)com.

Learn Fiction’s Magic Ingredient–Online Class

In General on May 12, 2009 at 2:54 am

What are you doing this summer? Ready to give your creative writing a boost? In this low-commitment, fun online class, writer/editor Jordan E. Rosenfeld, author of Make a Scene (Writer’s Digest Books) will teach the single most important element of good fiction: the scene. You’ll learn how to write scenes with confidence and skill and take your writing to a whole new level. You might just impress yourself!

 Begins July 6th. Four weeks. In this class you’ll learn how scenes allow you to:

  • Make your writing active and alive
  • Create a powerful emotional punch
  • Build meaningful characters
  • Create an easy to follow “map” for your plot

Each week you will:

  • Write new scenes
  • Apply what you’ve learned to a work in progress
  • Receive feedback
  • Interact with classmates via a yahoo groups message board
  • Each participant may also submit 20 pages of an existing work-in-progress to instructor

    Register between now and June 15th for the incredibly discounted rate of $99. After June 15th, the price goes up to $149.  Space is limited. Participants will also receive a 50% discount on copies of Make a Scene purchased through the author.

    To register, email: jordansmuse (at) gmail (dot) com.

    On the Radio

    In General on May 7, 2009 at 9:30 pm

    Today I drove up to San Francisco, leaving my infant son more than an hour’s drive behind me at his babysitter’s house.  I was on my way to record a book review/commentary for KQED Radio’s the California Report. I’ve done a number of these reviews for them in the past few years, but the last one was well over a year ago (Beth Lisick’s hysterical book, Helping Me Help Myself), when I was approximately 6 months pregnant.

    I got there early and so stopped over at the nearest cafe, where I did not order myself a coffee as I would have done were I not nursing still, but a soda and a sandwich (for after–I’m always ravenous when I record reviews, it’s weird!). I pulled out another book I’ll be reviewing for Publisher’s Weekly and sipped and scanned pages for fifteen minutes, feeling luxuriously like my old self–sort of. Even though there were no little fingers tugging on my leg, my former self wouldn’t have thought things like: what if a terrible accident on the road keeps me from getting back to my son? Is that a breastmilk stain on this blouse? Can these people tell that I’m a mother?  And of course, as I pawed through my bag looking for my review to go over it one more time, two diapers, a never-used binky that serves as a toy and one baby sock all reminded me of the duality of my life. I am writer and mother. Seemingly separate roles that nonetheless blend together.

    Anyway, it was fun to record a review. The book is Either You’re In, or You’re In the Way, by Logan and Noah Miller–twin brothers that I went to high school with. The book is a phenomenal chronicle of their journey to make an independent film based on their complex relationship with their alcoholic father, who died in jail in 2006. It was also a fabulous way to sort of get to know two guys I had never really talked to in high school. Reading it reminded me so much of those years, even though that’s not what the book is about. Still, they describe places in Marin county I know so well, and people I would still recognize if I saw them today.

    To listen to the review, you may either:

    Tune in live on Friday May 15th. 88.5 FM. 4pm and 6pm. The review usually comes somewhere in the middle of the show.

    Stream live at www.thecaliforniareport.org

    Or listen to the archives, which are usually up a day later, also at www.thecaliforniareport.org, click the link “Archives.”

    Platform Requires Online Savvy

    In General on April 19, 2009 at 12:50 am

    Day Six of my interview with Christina Katz, author of Get Known Before the Book Deal and Writer Mama.

     

    Q: There has been all kinds of press lately about how the publishing industry is changing, how it’s becoming smaller and more competitive than ever. How do you think platform plays into this new world of publishing? Do writers need to be more online savvy then every before?

     

    CK: Definitely. There’s just no question about it. And, as I’ve said repeatedly, it really doesn’t matter if you are aiming for traditional publication or self-publication or, eventually, both. The fact remains that there is a lot more competition in traditional publishing than there was even last year. I suspect the number of print books will continue to go down until the industry finds the sustainable and saleable number.

     

    However, the old way wasn’t better. I’m not sure most writers realize how many books were going right into print, failing, and going right out of print. Part of the problem there was the expectation on the writer’s side that the publisher would take care of everything. Then they discovered that the publisher was really only putting marketing muscle behind the “A” list of books they published and the brand new author had to do pretty much everything or suffer a very short shelf life.

     

    From the writer’s point-of-view, this was not the ideal entry into authorhood. A better way is to remember 100% responsibility whether you are traditionally published or self-published. Be realistic, if you put your shoulder into selling your book, you will sell it. If you don’t, it might sell or it might not sell at all. The choice really rests with the author, not the publishing house.

     

     

    Tomorrow’s question: Where should a writer start in the platform-building business?

    Common Platform Mistakes Writers Make

    In General on April 15, 2009 at 4:52 pm

    Today is day three of my interview with Christina Katz, author of the brand new Get Known Before the Book Deal and Writer Mama (both from Writer’s Digest Books).

     

    Q: What do you think is the biggest mistake writers make regarding platform?

     

    CK: I have a list. Here are a few common mistakes that writers make when they think about platform:

     

    • They don’t spend time clarifying who they are to others.
    • They don’t zoom in specifically on what they offer.
    • They confuse socializing with platform development.
    • They think about themselves too much and their audience not enough.
    • They don’t precisely articulate all they offer so others get it immediately.
    • They don’t create a plan before they jump online.
    • They undervalue the platform they already have.
    • They are overconfident and think they have a solid platform when they have only made a beginning.
    • They become exhausted from trying to figure out platform as they go.
    • They pay for “insider secrets” instead of trusting their own instincts.
    • They blog like crazy for six months and then look at their bank accounts and abandon the process as going nowhere.

    get_known_cover 

    I’ll stop there. Suffice it to say that many writers promise publishers they have the ability to make readers seek out and purchase their book. But when it comes time to demonstrate this ability, they can’t deliver.

     

    My mission is to empower writers to be 100% responsible for their writing career success and to stop looking to others to do their promotional work for them. Get Known shows writers of every stripe how to become the writer who can not only land a book deal, but also influence future readers to plunk down ten or twenty bucks to purchase their book. It all starts with a little preparation and planning. The rest unfolds from there.

     

     Stay tuned for tomorrow’s question:

    Most writers I work with express overwhelm or fear or utter ignorance about platform—what advice can you give to help them get past these roadblocks?

    Three Steps to Platform Building

    In General on April 14, 2009 at 3:23 pm

    My interview with Christina Katz, author of Get Known Before the Book Deal and Writer Mama, continues…

     

    I have long been in awe of your ability to promote your books, through blogs and newsletters, which are all essential parts of building a strong platform. Did you learn to do this along the way once your book Writer Mama was published, or did you have this kind of natural savvy all along?

     

    I learned everything gradually and I do it all myself. This isn’t the path for everyone and certainly there is nothing wrong with teaming up with reputable professionals, who can help you with your website, blog design, or newsletter. But for those of us do-it-yourselfers, we can find most everything we need right at our fingertips online.

     

    I started out building websites in HTML about ten years ago. Five years ago, I added on Writers on the Rise. Then, three months before Writer Mama came out, in 2007, I started my first blog. Today, I have three active websites, three monthly e-zines, and four active blogs. Yes, it’s a lot to manage, but supervising my own online presence is great discipline and it helps me appreciate myself, my work, and stay in touch with my readers and students. At one time, I knew everyone who knew me. But now that there are thousands of them and still only one of me, these tools are definitely the way to go.

     

    For your readers who are just getting started, I have three suggestions: Purchase your name as a domain name, use Typepad.com for blogging, and start an e-mail list of people interested in following your work. Everything grows from there.

     

    Don’t miss tomorrow’s question: What do you think is the biggest mistake writers make regarding platform?

    Platform isn’t just for Shoes!

    In General on April 13, 2009 at 11:50 pm

    christina_katz_by_mark_benningtonThis week I’m featuring a great, informative interview with Christina Katz, whose new book: Get Known Before the Book Deal is crammed with detailed, useful information about how writers can build a platform. Her answers are so meaty I decided that I’ll post one question and answer per day for the next 7 days. Each one is fabulous, so don’t miss them!

    Your book Get Known Before the Book Deal is about writers building “platform” — can you demystify this scary term for us?

     

    Sure. A platform communicates your expertise to others. It includes your Web presence, any public speaking you do, the classes you teach, the media contacts you’ve established, the articles you’ve published, and any other means you currently have for making your name and your future books known to a viable readership.

     

    Basically, your platform is everything you do with your expertise. A platform-strong writer is a writer with influence. Once you establish a platform, it can work for you 24/7, reaching readers even as you sleep. Of course, this kind of reach takes time. If many others already recognize your expertise on a given topic or for a specific audience or both, then you likely have an active platform.

     

    I find it helpful to define a platform as a promise writers make to not only create something to sell (like a book), but also to promote it to the specific readers who will want to purchase it. This takes both time and effort, not to mention considerable focus.

    Stay tuned for the answer to tomorrow’s question: I have long been in awe of your ability to promote your books, through blogs and newsletters, which are all essential parts of building a strong platform. Did you learn to do this along the way once your book Writer Mama was published, or did you have this kind of natural savvy all along?

    get_known_cover

     

    Christina Katz is the author of Get Known Before the Book Deal, Use Your Personal Strengths to Grow an Author Platform (Writer’s Digest Books). She started her platform “for fun” seven years ago and ended up on “Good Morning America.” Christina teaches e-courses on platform development and writing nonfiction for publication. Her students are published in national magazines and land agents and book deals. Christina has been encouraging reluctant platform builders via her e-zines for five years, has written hundreds of articles for national, regional, and online publications, and is a monthly columnist for the Willamette Writer. A popular speaker at writing conferences, writing programs, libraries, and bookstores, she hosts the Northwest Author Series in Wilsonville, Oregon. She is also the author of Writer Mama, How to Raise a Writing Career Alongside Your Kids (Writer’s Digest Books).

     

     

     

    Dis…connection

    In General on April 11, 2009 at 12:58 am

    Lately I’ve been feeling overwhelmed by social networking–I have a twitter account but I only tweet once in a great while. I don’t know which streams to follow and doubt that every one of my followers actually reads me.  I know I’ve already talked about this. Linkedin. Myspace. Blogs and newsfeeds overwhelm me. Facebook is the only site I really use and it’s actually worked to connect me locally with other mothers as well as being a great way to keep up with faraway friends.

    Yet yesterday, an act of sabotage of fiberoptic cables in the county where I live, disrupted access to phones (cell and home) and internet for the entire day. Just one day, but I was going out of my mind. I couldn’t email an editor to let her know that I hadn’t made progress on tracking down a photo she needed. I couldn’t call my mortgage broker or email him to find out if he had all the paperwork he needed for our home loan. I couldn’t email assignments that were due. Worse, were there a true emergency, I couldn’t even call 911 (and neither could hundreds of thousands of others). ATMs were down. Most businesses were accepting only cash and checks, and so many people couldn’t even get gas in their cars. It was alarming how cut off we felt.

    So, while I can’t maintain all the networking and connections that are available to me, I admit I am still thoroughly dependent upon my technology, and this doesn’t seem like a good thing.

    How to Buy a Love of Reading

    In General on April 5, 2009 at 6:23 pm

    I had the pleasure of interviewing Tanya Egan Gibson, author of the novel How to Buy a Love of Reading, in the current issue of Writer’s Digest magazine for my column, First Impressions, which features debut authors. Not only is Tanya a lovely person, but her book is clever, funny and also a serious love letter, in my opinion, to reading.

    Watch the very cool book trailer here (sorry I haven’t figured out how to embed):

    http://www.youtube.com/watch?v=wrQ_o7FmwKo

    And then pop on over to Tanya’s website: http://www.tanyaegangibson.com/ and read the stories about how reading saved people’s lives. You can then email Tanya a story of your own!

    Synopsis of How to Buy a Love of Reading:

    To Carley Wells, words are the enemy. Her tutor’s innumerable SAT flashcards. Her personal trainer’s “fifty-seven pounds overweight” assessment. And the endless reading assignments from her English teacher, Mr. Nagel. When Nagel reports to her parents that she has answered “What is your favorite book” with “Never met one I liked,” they decide to fix what he calls her “intellectual impoverishment.” They will commission a book to be written just for her—one she’ll have to love—that will impress her teacher and the whole town of Fox Glen with their family’s devotion to the arts. They will be patrons— the Medicis of Long Island. They will buy their daughter The Love Of Reading.

    Impossible though it is for Carley to imagine loving books, she is in love with a young bibliophile who cares about them more than anything. Anything, that is, but a good bottle of scotch. Hunter Cay, Carley’s best friend and Fox Glen’s resident golden boy, is becoming a stranger to her lately as he drowns himself in F. Scott Fitzgerald, booze, and Vicodin.

    When the Wellses move writer Bree McEnroy—author of a failed meta-novel about Odysseus’ failed journey home through the Internet—into their mansion to write Carley’s book, Carley’s sole interest in the project is to distract Hunter from drinking and give them something to share. But as Hunter’s behavior becomes erratic and dangerous, she finds herself increasingly drawn into the fictional world Bree has created, and begins to understand for the first time the power of stories—those we read, those we want to believe in, and most of all, those we tell ourselves about ourselves. Stories powerful enough to destroy a person. Or save her.

    Thrive!

    In General on April 3, 2009 at 3:04 pm

    No, this isn’t an advertisement for Kaiser Permanente–my cousin in the South end of the American continent (and soul sister) Patricia Schiavone has launched a magnificent ebook, Thriving Together: A ‘Magic’ Way to Attract the Life of our Dreams. The first 628 people to buy the book will get it for only $6.95, and there are other fantastic incentives at her site. The book teaches you how to engage in a group visualization to help you and your friends attract what you seek. I am a big fan of meditation/visualization and the law of attraction, and I’ve also had the experience of doing a group visualization with Patricia–with fantastic results.

    Click here to visit Patricia Schiavone’s website!  Buy it now!! It’s money very well spent.

    Please check it out, and do so before the price goes up to its real value of $14!

    “All Space”

    In General on March 15, 2009 at 12:42 am

    Something inside me has snapped. I feel like shouting I CAN’T DO IT! I simply cannot keep track of another site that connects me to other people. My brain hurts–perhaps because my eyeballs are stuck to it. I am Linkedin but I don’t know what I’m linked in to! I have a shelf at Goodreads, but I don’t have the time to post reviews–too busy reading in between mothering and working to bother. I am a RedRoom author but couldn’t tell you waht goes on there. I have a Myspace account but haven’t accepted a new friend in over a year nor posted anything. I twitter, but my tweets are so infrequent they’re probably considered “twits.” The only site I can actively keep up with and where I have any fun is Facebook.

    Someone needs to create a software that merges all of these sites into one where I can access them all in a single home page.  Wish I was a software genius. I’d call it “Allspace” or something. Feel free to buy my idea for several million dollars.

    Between Blockbuster and Obscurity…

    In General on March 13, 2009 at 1:13 am

    At the Zoetrope Writer’s Workshop, where I’ve been a member since 1999, an interested publishing thread came up in light of the reported deal that author Audrey Niffenegger received a $4.5 million dollar advance for her second book. First of all, anyone who’s read her debut, The Time Traveler’s Wife, knows what a talented writer she is. Second, since I interviewed Pat Walsh, her editor at MacAdam/Cage long ago for an article in The Writer, I know that the money they offered her (reportedly about $100,000) was not the highest offer on her book. But she took it because of the attention she was going to get from working with a small publisher and because it felt right to her. In the long run, her success (over 4 million sales worldwide) did her publisher as much good as it did her career.

    Here’s the question: Is $4.5 million dollars too high of an advance? Does it put too much pressure on the writer, take monies away from the smaller authors who will never see even a fraction of that much money, and does it warp the already twisted model of pay-up-front publishing, which often works against authors who don’t earn out their advances?

    You’d be surprised by people’s thoughts. In general any writer is usually happy to hear of a big advance for a writer–it gives us hope. Athletes and celebrities get figures like that all the time, why not those people who enter our psyches and hearts and provide us with understanding into our complex human experience? But some cringe at the thought that one big advance is, in essence, stealing money out of the mouths of midlist and debut authors. In other words, how many new authors could you buy for Audrey’s advance?

    Some believe that the blockbuster mode of publishing is the next corroded wave of the future (the future being here already), and that it’s unavoidable–you’re either a hit, or you’re not…

    I’d love to hear your opinions!

    A Light at the End of a Print Run

    In General on March 7, 2009 at 4:27 am

    My book Make a Scene, published nearly a year and a half ago, has almost sold out of its initial print run thanks to thousands of people …yes, thousands. It’s hard for me to picture all those desks and book bags and car seats and classrooms where my words, bound beautifully by Writer’s Digest, sit. I am so grateful. I still remember the weekend when that idea first started to percolate, and pick up steam, and finally resulted in a proposal for a book. I was on a writing reatreat at Wellspring, in Philo (near Mendocino, CA). It was a rainy January weekend and my dear friend Marlene Cullen and I spent two quiet days holed up with a continuous fire going writing. I had no idea that several years later I’d be holding my book in my hands.

    Thanks to all of you who helped.

    When to Hire a Developmental Editor?

    In General on March 3, 2009 at 10:25 pm

    I work with all kinds of editing clients, at various stages of the writing process. I don’t turn anyone away who seeks my services but there are better times to hire an editor than others. When to hire an editor is one of the most frequently asked questions I get.

    I do mostly developmental editing, which means content, structure, plot, characters, narrative flow–big picture issues (as well as the “small” stuff like grammar and syntax).  You should hire a developmental editor such as me when:

    You can do no more. A great time to hire an editor is when you have done multiple drafts, revised and tweaked everything you possibly can, and now you need an outside eye (and I recommend you go to writing groups or feedback partners FIRST)

    You are willing to spend money to hear someone tell you hard truths about your manuscript. I have had the occasional client who felt that by paying my fee, he or she was paying to hear me say “It’s great. It should be published!” The irony is not lost on me that paying someone to tell you what is wrong or needs work seems almost unfair…but that’s the way it is. When you’re willing to part with cash to hear what you still need to do, it’s time to hire an editor.

    You aim to be published.  If you don’t have a writing group or a feedback partner who can help you know if your work is publishable or not, an editor is a good person to help you determine this. Be wary of editors who claim they can tell if your work is strictly publishable or not publishable, with no suggestions for feedback. You can always work harder and get better and the road to publication is often paved with reams of drafts.

    You already have a publishing contract or an agent. “What?” you say. “Why would I hire an editor if I’m already going to be published, or think I have a darn good shot?” Because once your book is published you can make no more changes. That’s it. Unless you’ve written a text book that gets updated or revised, this is your last chance to make your book the BEST it can be.

    So there you have it. And yes, I’m always taking new business. Visit the “editing” tab at the top of my site here.

    Agents Seeking New Writers

    In General on February 26, 2009 at 3:15 pm

    The word on the street is that it might just be tougher than before to get an agent. Whether or not that’s true, it’s definitely trickier to determine, out of the thousands of agents in the guides, which ones are seeking new writers.

    Maria Schneider, of Editor Unleashed (and former managing editor at Writer’s Digest Magazine) has answered that question and put together a stellar guide of agents seeking new writers: Get an Agent. 100 E-friendly Agents Open to New Writers. At $14.95, you won’t find a better deal offering you such a specific set of agents anywhere, I promise! Best of all, it’s CURRENT…so get it while it’s hot.

    A Real Deal

    In General on February 24, 2009 at 11:22 pm

    My husband and I are moving soon which means: PURGE TIME! Among dishes that don’t match and no longer needed baby items, I’ve got a box of my book Make a Scene that I don’t want to lug with us. So I’ll make anyone reading a deal: I’ll ship you up to three copies with no shipping charge, at only $12/copy. They’re regularly $14.95 plus tax and shipping.

    My book is good for the beginner or intermediate writer, since it offers not only refreshers on simple scene architecture, but detailed information on scene types.

    To take advantage of this deal–I’ve only got 22 copies left–email me: jordansmuse (at) gmail (dot) com with the subject “Make a Scene deal” and tell me how many you want. We can work out the mailing/payment details from there.

    BONUS DEAL: Add a copy of my book with Rebecca Lawton, Write Free: Attracting the Creative Life, and I’ll send you both books for $20, plus FREE shipping.

    Thanks!

    Plot Inventory

    In General on January 6, 2009 at 3:18 pm

    I’m a guest blogger over at Routines for Writers every Tuesday of this month. Today, I blog about doing a plot inventory after a first draft to figure out where to go next.

    I hope you’ll visit Shonna’s wonderful site.

    Give Yourself A Writing Workshop

    In General on December 16, 2008 at 11:42 pm

    My former editor at Writer’s Digest magazine, Maria Schneider, and I are offering a series of online workshops on the business and craft of fiction writing beginning in January through her fabulous new writer’s site and forum: Editor Unleashed.  Our prices are reasonable and the courses will be self-paced. They’ll be a lot of fun, too, so I hope you’ll treat yourself or a writer you know to one or more of them!

    The workshops are as follows:

    Fiction Writing: Make a Scene

     Description: Scenes are the building blocks of great fiction. This workshop will teach you the basics and then some for writing powerful, concise, page-turning scenes. This workshop is appropriate for writers of all levels.

    In this Workshop you will:
    • Learn how to construct the basic architecture of a scene.
    • Develop your characters and their motivations.
    • Make every scene count toward the overall plot.
    • Learn the crucial scene types such as opening scene and flashback.
    • Find out how to make more effective transitions between scenes.
    Start date: Monday, January 12, 2009
    Duration: 6 Weeks
    Fee: $350.

    Fiction Workshop Intensive

     Description: This workshop is for writers who have a complete or nearly complete manuscript for a novel or short story collection and are ready for an intensive group workshop experience.

    In this workshop you will:
    • Get highly individualized critiquing and feedback on a weekly basis from your workshop leader.
    • Receive professional editing and formatting suggestions.
    • Participate in group critiques.
    • Workshop a novel chapter (of fewer than 3,000 words) or one short story per week.
    Start date: Monday, January 12, 2009
    Duration: 6 Weeks
    Fee: $350.

    Marketing: Query Letter Clinic, with Maria Schneider

    Description: No matter what you’re writing and trying to sell—a novel, a memoir, or a magazine article—the essential step in marketing your work is a compelling, well-crafted query letter.

    In this workshop you will:
    • Learn the basic template of a good query letter from relevant examples.
    • Develop your lead paragraph into a compelling hook to attract agents and editors.
    • Summarize your project into a coherent one-paragraph summary.
    • Find out what biographical information to include and not include and what drives editors crazy.
    • Finish the Workshop with at least one strong, polished query letter to start sending out to agents and editors.
    Start date: Monday, January 12, 2009
    Duration: 4 Weeks
    Fee: $250.

    Online writing: Blogging 101, with Maria Schneider

     Description: Every writer needs to have an online presence today, and the very best way to get started building your web cred is with your own blog. Take this crash course in blogging and get started now.

    In this workshop you will:
    • Start your own hosted wordpress.com blog (set-up is free).
    • Brainstorm names to help you start building your blog identity.
    • Develop posts that are relevant to your readership.
    • Learn good blog etiquette and tips for building your readership.
    Start date: Monday, January 12, 2009
    Duration: 4 Weeks
    Fee: $250.

    Meme Time

    In General on December 9, 2008 at 11:26 pm

    My friend Ellen Meister tagged me for a meme. Here goes:

    RULE ONE, I have to grab one of the books closest to me, go to page 56, type the fifth line and the next two to five lines that follow.

    The book is: How to Write Like Chekov: Advice and Inspiration Straight From His Own Letters and Work Edited by Piero Brunello and Lena Lencek

    “…tell me what do I stand to lose? Time? Money? And what do
    I stand to gain–a lot of hardship? My time is worth nothing.
    I have no money to speak of. And as for hardship, I’ll
    have twenty-five–maybe thirty–days on horseback and the rest of the time
    I’ll be sitting on the deck of a steamer or in my room writing letters to you…”

    RULE TWO, I have to pick five people who love books. My five picks are (in no particular order):

    Stephanie Anagnoson
    Erika Mailman
    Maria Schneider
    Tracy Burkholder
    Elizabeth Kennedy

    Seeking Charitable Orgs for Children

    In General on November 29, 2008 at 5:32 pm

    I am looking for a REPUTABLE children’s charity–one that has financial transparency and which feeds and clothes underpriveleged children in the United States. Any suggestions would be much appreciated!

    Jordan